DRAGU, Margaret

TYPICAL DAY podcast series (7a*11d edition)

TYPICAL DAY is an illustrated audio podcast series by Verb Frau TV and supportTHEsupport  that profiles how artists and other cultural workers live. The format is inspired by the antique illustrated dictionaries I loved as a young child hanging out in the public library; and also, the monthly quizzes at the front of Cosmopolitan magazine.

VERB FRAU TV began in 2011; and supportTHEsupport began in 2019. They are about service, care, community building, friendship, health and love. They blur definitions of performance with hybrid experiences: combinations of live in person, live on ZOOM, live streaming; and recorded/edited/screened in public/private, and posted on social media to be watched on your phone. VERB FRAU and supportTHEsupport ask “is it live or is it MEMOREX?”

Margaret Dragu was the recipient of the Governor General’s Award for Visual and Media Arts in 2012, Éminence Grise (2012) for 7a*11d, and, in 2000, first artist in FADO’s publication series Canadian Performance Art Legends. Dragu works in video, installation, web/analogue publication & performance. Spanning relational, durational, interventionist and community-based practices, she has shown in Canada, USA & Europe.

To see more of Margaret Dragu’s  ‘Typical Day” interviews, visit her Vimeo page.

NEW NORMAL: an embodied novel
Wednesday September 4 7:30 pm
TTC Oakvale Greenspace (in front of the Oakvale Green Community Gardens), 77 Oakvale Avenue
FREE

with the assistance of dance captains Claudia Moore, Rob Abubo and Mikiki

NEW NORMAL is a walk’n’roll dusk-to-dark performance-for-camera where the audience is inside the performance as they walk’n’roll  with easily-learned-gestures from Dragu’s urban stories of negotiating public transit with mobility aids, wheelchairs and baby strollers that the performing public listen to on their cellphones.

Margaret has some advance instructions/suggestions to enhance your participation in the performance:

1. Please download the 4 audio files (mp3 format) below to your cellphone before the performance so that you can be part of the soundtrack.

New Normal #1
New Normal #2
New Normal #3
New Normal #4

2. We’ll ask you to play them live, so remember to bring your cellphone to NEW NORMAL.

3. Wear your reflective safety gear for night visibility – vests, armbands, etc.

Thanks to:
– Justine A. Chambers and Kage for choreography and audio research and development;
– Dorothy Bennie, Paul Couillard, David Fox, Michael Glassbourg and Sarah Sheard as the the impromptu choir for the audio recordings; and
– the Toronto Transit Commission for allowing the use of the TTC Oakvale Greenspace for this project.

Margaret Dragu works in video, installation, web/analogue publication and performance. Spanning relational, durational, interventionist and community-based practices, she has presented her work across Canada, the United States and Europe. An innovator and pioneer in Canadian art, Dragu is a 7a*11d Éminence Grise (2012), was the first artist featured in FADO’s Performance Art Legends publication series, and was the recipient of the Governor General’s Award for Visual and Media Arts in 2012. Her favourite art-making material is still the body despite or because of her bionic status as a grateful owner of two recent hip replacements.

Body Atlas
Saturday August 24 2 pm
Bachir/Yerex Presentation Space @ 401 Commons, 401 Richmond Street West, 4th floor
&  live-streamed
FREE

Join ‘Dr. Margaret’ [Dragu] and ‘Dr. Fiona’ [Griffiths] for a walk and talk and do performative lecture. Medicine meets Pee-wee Herman in this informal investigation of Griffiths’ and Dragu’s medical and artistic practices, explored through the lens of chosen body parts. Part conversation, part performance, this event will feature body stories, experiences and medical actions centred around notions of body knowledge, health and art by two of Canada’s most astute and experienced performance-based physical practitioners.

For more information on this project and extensive documentation, see the KinesTHESES Digital Toolkit:
13. A negotiated interaction: Body Atlas by Margaret Dragu and Fiona Griffiths (Description, video recording, “dead” livestream)

VERB FRAU TV: Season 7

In 2016, we invited Vancouver-based artist Margaret Dragu to create a daily livestream during the 11th 7a*11d International Festival of Performance Art, which resulted in the production of VERB FRAU TV Season 5: 7a*11d. She loved it so much, she decided to return for our 2018 edition to interview a number of our visiting artists and colleagues for VERB FRAU TV Season 7. Season 7 is now available for viewing!

VERB FRAU TV = (streaming/screening) + (online/in-house) since 2011. VERB FRAU TV = proof  anyone can be a TV station and/or a live streaming broadcast provider by using cheap $$$ low-fi & DIY technology. VERB FRAU TV = an invitation to perform and talk about making art. VERB FRAU TV = video art + reporting + performance + laughter + (often) yoga + cooking. VERB FRAU TV = rock’n’roll, + quick & dirty+ fly-by-seat-of-your-pants.

VERB FRAU TV: Season 7 = 15 artists reading texts that “drew them to the dark side”. VERB FRAU TV: Season 7 = 15 artists reading texts that made them become artists… and sharing their stories about why.VERB FRAU TV: Season 7 = “finding the secret story of the artists” while they read their chosen stories. VERB FRAU TV: Season 7 = 3 Director’s Cut episodes from VERB FRAU TV: Season 6 LIVE! Biennale 2017 + 1 other Vancouver episode + 11 artists from 7a*11d Festival 2018.

VERB FRAU TV: Season 7

Andrew James Paterson — engages in playful questioning of language, philosophy, community and capitalism in a wide range of disciplines, including video, performance, film, music and writing. His recent publications are Collection Correction and Not Joy Division.

Arahmaiani – grapples with contemporary politics, violence, a critique of capital, the female body, identity politics and religion. Since 2010, she has been working with Tibetan monks in the Tibetan Plateau to address environmental issues.

Cindy Mochizuki – creates multimedia installations & performances employing fiction, archive, drawing, animation, food, sculpture, improvisation, miniatures, memory and magic.

Elvira Santamaría – makes interventions, exhibitions, process art, and durational performances that touch upon memory, change, transformation, entropy, catastrophe, violence, grief, regeneration that reflect upon her relationship to Mexico in the North American context.

Francisco-Fernando Granados – has a multidisciplinary critical practice spanning performance, installation, drawing, digital media, public art, community-based projects, writing, curating, teaching and cultural theory.

Francesco Gagliardi – is a performance artist, writer, filmmaker, experimental music performer, teacher of drama/theatre/performance/philosophy and an absolutely fabulous cook.

Fiona Griffiths – is a teacher, choreographer, actor, clown, fitness professional, body worker and registered nurse. Her recent work was shown in On Display Global, an annual worldwide performance event to commemorate International Day of Persons with Disabilities.

Golboo Amani – creates performance and social practice work that expand sites of pedagogy to include the streets, backyards, homes and public transit. Her work is critical of social systemic patterns offering non-hierarchial pedagogical experiences that speak to collective agency.

Hank Bull – is one of the Eminences Grises of 7a*11d Festival 2018. Bull says, “Performance can fill a large space with little means. Radio as a time-based sculpture in space, for example. Global networks create another type of stage, with performers and audiences, readers and writers, artists and viewers all crossing the line, becoming each other. We live in a rapidly accelerating hothouse bio-culture, highly plastic, ready to transform itself or explode at any moment. The next revolution will be born of a spontaneous internal combustion of the human imagination.”

Jinhan Ko – is an artist and writer. He is one of the founding members of artist collective Instant Coffee, a service-oriented group that helps to facilitate artists projects. Ko actively engages in a social practice that brings people together for performances, lectures, concerts, public art and other participatory activities.

KC Wei – explores the liminal space of music, video, writing and curation to create “popular esoteric art that makes popular things strange again”. KC explains, “There’s a political responsibility I feel in making art. I want it to do some good in the world, be a space locally that can feel new and out of the routine, that doesn’t need to become something other than itself.”

Leena Raudvee – makes drawings, mixed media and visual exhibitions as well as performance often creating/facilitating space for other artists to make art with and around her, too. Raudvee deconstructs contemporary societal issues by exploring women’s bodies across speculative edges and in liminal spaces through research-as-process and doing-as-aktion.

Makiko Hara — Since the late 90s, Hara has curated numerous exhibitions, art projects and festivals (in and totally outside of museums and institutions) in Asia Pacific Rim. Her cultural aktions bridge the two continents through her conjuring of opportunities for collaborative contemporary art practices.

Sandra Vida – is one of the Eminences Grises of 7a*11d Festival 2018. Vida describes her early performance and installation work as “claiming space and presence, literally placing myself within the frame… I search for alternatives; you might say my work is about alternatives. Working in artist-run culture (at the local, regional, and national level for many of my art-making years) sprang from the same impulse.”

Shaun Dacey – is currently the Director of The Richmond Art Gallery. He has curated and produced exhibitions, educational initiatives, off-site projects and residencies, as well as public and youth programming, for many public and parallel galleries.

VERB FRAU apologizes to viewers & artists for a few sound boo-boos… but… VERB FRAU is studying with the wonderful artist Brady Marks… so … Season 8 [coming soon from Berlin/Copenhagen] will sound much better !!!

Viewers can find all the previous seasons of VERB FRAU TV at http://www.vivomediaarts.com/category/verb-frau-tv/

VERB FRAU = grateful to all of the artists in-front-of and the artists behind the camera(s), LIVE! Biennale, 7a*11d Festival, VIVO, DWI: Dragu Worker International & Canada Council for the Arts.

VERB FRAU TV Season 5: 7a*11d
Thursday October 13 to Saturday October 15;  Tuesday October 18 to Saturday October 22  4 pm
online

VERB FRAU TV = verb woman television = DIY TV = margaret dragu = making and talking about performance = daily practice. VERB FRAU TV blends video art, reporting and conversations on contemporary performance art practices in a daily online TV show. Each live streamed episode includes a 15 minute interview with a special and fascinating artist performing or working during the festival, a daily yoga exercise, live cooking to create a daily appetizer to share with her special guest, and other stuff.

Margaret Dragu works in video, installation, web-based/book-publication and performance. Spanning relational, durational, interventionist and community-based practices, her performances have been presented in galleries, museums, theatres, nightclubs, libraries, universities and site specific venues including parks, botanical gardens, and public parade routes across Canada, the United States and Europe. An innovator and pioneer in Canadian art, Dragu is a 7a*11d Éminence Grise (2012), and was the recipient of the Governor General’s Award for Visual and Media Arts in 2012.

Season 5: Episode 1 with Kate Barry

Season 5: Episode 2 with Bartolomé Ferrando

Season 5: Episode 3 with Golboo Amani

Season 5: Episode 4 with Chun Hua Catherine Dong

Season 5: Episode 5 with Paul Couillard

Season 5: Episode 6 with All Day All Desktop Performances

Season 5: Episode 7 with Elizabeth Chitty

Season 5: Episode 8 with Mikiki

Season 5: Episode 9 (pre)rolling and (w)rapping

For links to the original (unedited) live streams, go to https://7a-11d.ca/festival_updates/verb-frau-daed-live-stream/

VERB FRAU TV Seasons 1 through 4 are available for free on iTunes, the artist’s and VIVO’s websites.
https://www.vivomediaarts.com/contributor/margaret-dragu

Yoga with Margaret Dragu
Wednesday October 24 to Sunday October 28 10 am
Toronto Free Gallery

VERB WOMAN: remembering to forget
Wednesday October 24 to Sunday October 28 11 am
Toronto Free Gallery

I make art like I make bread. Je sais la recette pour la fabrication du pain mais je ne sais pas vraiment ce que je vais faire jusqu’au moment où je commence. I listen to my heart, psyche, and body. Like a bricoleur, I employ EVERYTHING AT HAND: research, social engagement, community, photography, science, new media, social media; aussi bien que des disciplines traditionnelles comme la danse, la musique, le théâtre, la sculpture et les arts domestiques. My performance, video and new media work appears in flash mobs and art galleries, billboards and bus shelters, theatres and malls, on the internet and your cell phone. It is relational, durational, interventionist and community-based.

Margaret Dragu is the first artist featured in Fado’s Canadian Performance Art Legends publication series highlighting the work of senior Canadian performance artists. She is a 2012 Laureate of the Canadian Governor General’s Award in Visual and Media Arts. She is also the recipient of the City of Richmond’s Most Innovative Artist Award, Ethel Tibbett’s Woman of the Year Award for The Arts, Richmond Women’s Centre’s Inspirational Woman Award, and the Mall Peepre Award for Outstanding Fitness Leader. She is an internationally famous cleaning lady.

Chtistine Korte’s eyewitness account
Sylvie Ferré compte témoin (1)
Sylvie Ferré compte témoin (2)

Forgetting & Remembering

I yearn to be pure. But I am so messy.

I worked in the dance world from 1969-72, but Modern Dance was conservative, narrow; there was no place for me. I was introduced to the ideas in Yvonne Rainier’s “No Manifesto” (1965) by making art with visual artists who were jumping off the walls to make Happenings with poets, theatre artists, photographers, sculptors:

No to spectacle no to virtuosity no to transformations and magic and make believe no to glamour and transcendency of the star image no to the heroic no to the anti-heroic no to trash imagery no to involvement of performer or spectator no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved.

I was only dimly aware that the manifesto originated from Rainier. These ideas were mirrored and infused with what was happening in the real world—marches, grassroots organizing, social and educational upheaval, anti-Viet Nam War and Civil Rights Movements, the birth of feminism and gay rights, Back to the Land Communes. It wasn’t a time of labels, definitions or authorship.

One of the techniques used to find new movement patterns was chance-choreography. Merce Cunningham and John Cage employed chance operations in the early 1950s at Black Mountain College with avant-garde, modern, and minimalist visual artists, architects, sculptors, writers and intellectuals. John Cage said that improvisation was not as interesting a method to find new movement (or music or aktion), as the artist always improvises by doing what he/she knows or with what she/he is comfortable. Chance breaks through that comfort. It is pure and head-driven.

I still use chance techniques for performance. I find it freeing. Still. The way durational work is freeing because you have a real task that you must apply yourself to by merely doing it—again, again, again for a long time. This combined with exploring eastern religions surely is what led to durational/relational practices (e.g. Vito Acconcci’s 1969 work Following Piece).

There remains a coolness, a purity and a head-first aesthetic/value to chance work(s) like Cage’s 4’33” (1952), Water Walk performed on a 1960 TV episode of “I’ve Got a Secret,” and Rainier’s Continuous Project – Altered Daily (1970), anything from the 800 performance “events” by Merce Cunningham. This in contrast to infamous frenzied outcomes like Carolee Schneemann’s 1964 Meat Joy work. Perhaps Yvonne Rainier’s move from dance to film was fed by an interest in narrative (deconstructed or manipulated) and a desire to break away from the body-as-object coolness and purity. To get messy. In fact, a need to be and express the female. I don’t know. I am probably projecting myself onto her because I identify with her in some ways and share some common history.

Part of me longs to be pure and make work that follows Rainier’s manifesto and Cage-ian parameters. But somehow real life, the body, and discordant aesthetics always come into play, making my work messy. Even Yvonne, in Feelings are Facts published in 2006 by MIT Press, expresses some regret over her notorious “No Manifesto.”

I yearn to be pure. But I am so messy.

— Margaret Dragu

The Wall Is in my Head
Wednesday October 31 6:33 am (sunrise) – 10:30 pm
Elle Corazon | 176, rue Bernard Ouest, Montréal

ReciproCity/ RéciproCité Montréal round table discussion
Thursday November 1 12 pm – 5 pm
L’ancien Copie-Art | 813, rue Ontario

Organized by Josée Tremblay as part of ReciproCity/RéciproCité Montréal
Sponsored by Studio 303

The Wall Is in my Head
Saturday November 3 12 pm – 12 am
Gladstone Hotel | 1214 Queen Street West

ReciproCity/RéciproCité Toronto round table discussion
Sunday November 4 1 pm

Organized by Paul Couillard as part of ReciproCity/RéciproCité Toronto

Margaret Dragu is celebrating her third decade as a performance artist. She has presented her work in galleries, museums, theatres, nightclubs, libraries, universities and site-specific venues including parks, botanical gardens, and public parade routes across Canada, the west and east coast of the United States, and in western Europe. Margaret is also a film and video artist, writer, choreographer, actor, and radio broadcaster. She is a fitness instructor and personal trainer at community centres and hospitals in the city of Richmond, BC, specializing in clients with heart/stroke history, osteoporosis, arthritis, and for the visually impaired as well as clients requiring post-rehab and post-surgery programmes. Margaret’s recent performance work is a series entitled Conscious Corpus. It is a series of investigations of the body that draws upon a holistic lexicon from both her fine arts and body arts practice.