1998 Hybrids

Terril-Lee Calder performing The Suckling at 87 Wade Ave

This program focuses on content-driven work that deals with contemporary social, political and ethical issues. We are well aware of the challenging and often loaded dialogue in art and criticism on issues such as neocolonialism, cultural appropriation, equality of representation, and unstable, pluralistic notions of identity. This is a confusing, dangerous terrain that has revealed […]

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1998 Field Trips

men of the world (Mark Alice Durant & Mathew Wilson) performing at the fountain at University Ave & Queen St W

Field Trips offers works that poetically slip themselves into the cityscape to blur the conventional distinction between beholder and beheld, creator and created.  The clever beauty of these works is their ability to blend into the eye and mind of a public audience without forcing the viewers into the role of unwilling participants or antagonists

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1998 Dinner @ 5 (we are what we eat)

Anne-Marie Hood & Michelle Bakic performing …Of Necessity at 87 Wade Ave

Consuming is an integral part of  sustaining life. What and how we eat reflects who we are. The body is an engine that is fueled by nutrients, the  essential sustenance of the living organism. It is a primary need but it has come to represent much more than preservation. Eating intersects with religious beliefs, cultural

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1998 Interventionism (panel)

Anna Banana talks at the Interventionism panel, 7a*11d 1998

Interventionism examines the ways in which performance has entered uninvited the realms of politics and the social. The panel brings together a number of artists who have produced work which has commandeered public space and discourse to a variety of ends. @ A Space Gallery, 401 Richmond St W Sunday August 23 2 pm A

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Eyewitness account: Yoko Ono Birthday Party

4 images — front side and back views — of a "donation box" made from off-white handmade paper. The box is pyramid-shaped, with a slot at the top for receiving money. The front side features a black-and-white photocopy image of Yoko Ono as a child, with additional small sheets of paper affixed o either side with words written in black marker. One says "7a*11d", and the other, "Donations". One side view features a photocopied instruction piece from Yoko Ono's Grapefruit. "COUGH PIECE. Keep coughing a year. 1961 winter." The backside is unadorned, though small patches of brown dot the surface of the paper, which has yellowed with age, and yellowed areas of scotch tape used in the assembly are also visible. The other side panel also features a photocopied instruction piece from Yoko Ono's Grapefruit. "LAUGH PIECE. Keep laughing a week. 1961 winter".

Yoko Ono Birthday Party fundraiserWednesday February 18, 1998Club Shanghai247 Spadina Ave, 4th floor Yoko Ono Birthday Party was a fundraising event for the 7a*11d International Festival of Performance Art. This eyewitness account is from an email sent by co-organizer/participant Paul Couillard on February 25, 1998, to U.S.-based performance artist Frank Moore, who had participated in

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1997 Sediment

Participants in sur, blue, round at Sediment | Trinity Bellwoods Park

Toronto is located on the shores of Lake Ontario, inhabiting landscape that was once lake, marshlands and swamp. The southern downtown, built on landfill, exists where once were wetlands, an aquatic filter for the watershed. We have filled and covered and erased the paths of water as it runs from the highlands to the lowlands,

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1997 Prognosis

Songs of the New Erotics performing The Anti-Child of Recordist Performance and a Lighted Cavern at Symptom Hall

Prognosis uses Symptom Hall’s upstairs and downstairs main spaces as flexible, changeable environments to accommodate a wide variety of work. A total of nine pieces will presented over a three-day period, using video, film, live sound, movement-based work, food and more in conjunction with performance elements. Six of these works will be presented as part

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1997 :JAWA:bot:Machines That Perform

Mechanical, robotic, electronic sculpture/installation/performance organized by members of the JAWA Collective, including artists solicited through an open call for submissions. * JAWA is the name of several cities in Asia.* JAWA is a Finnish motorcycle company renowned and infamous for producing obnoxious, loud, gas-guzzling motorcycles that are virtually indestructible.* The cute and dangerous creatures of

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