
1998 Performances for an Orange and Violet Room
(in which both colours will be present) The venue Performances for an Orange and Violet Room (in which both colours will be present) came about in part because of my interest in how colour affects ...

1998 PO-PO Wasteland
The main intent here is to create an audience participatory event, where the viewer is involved in the work and the space so much so that they are no loner passive but become active participants ...

1998 Hybrids
This program focuses on content-driven work that deals with contemporary social, political and ethical issues. We are well aware of the challenging and often loaded dialogue in art and criticism on issues such as neocolonialism, ...

1998 Field Trips
Field Trips offers works that poetically slip themselves into the cityscape to blur the conventional distinction between beholder and beheld, creator and created. The clever beauty of these works is their ability to blend into ...

1998 Dinner @ 5 (we are what we eat)
Consuming is an integral part of sustaining life. What and how we eat reflects who we are. The body is an engine that is fueled by nutrients, the essential sustenance of the living organism. It ...

1998 Interventionism (panel)
Interventionism examines the ways in which performance has entered uninvited the realms of politics and the social. The panel brings together a number of artists who have produced work which has commandeered public space and ...

1997 7a*11d Performance Art Festival review
By Paul Couillard 7a*11d International Festival of Performance Art August 7 - 11, 1997 In 1997, after the first 7a*11d International Festival of Performance Art, I wrote an article for FUSE magazine about the the ...

1997 Sediment
Toronto is located on the shores of Lake Ontario, inhabiting landscape that was once lake, marshlands and swamp. The southern downtown, built on landfill, exists where once were wetlands, an aquatic filter for the watershed ...

1997 Prognosis
Prognosis uses Symptom Hall’s upstairs and downstairs main spaces as flexible, changeable environments to accommodate a wide variety of work. A total of nine pieces will presented over a three-day period, using video, film, live ...

1997 Pleasures of the Flesh: The Body in Time (panel)
This panel discussion provides a critical context for the work in the festival, focusing on why performance artists think the lessons of our bodies remain important even as many of us rush to embrace and ...