2000 Fado Performance Inc.’s Public Spaces/Private Places

audience reaction to Christine Carson's Numb Hum: A Subterranean Metropolitan Opera at Osgoode subway station

Spanning two years and featuring approximately 25 artists from Canada, the US, Europe and Asia, this series provides a broad look at issues of place and relationship. Public Spaces/Private Places explores the elements that turn neutral ‘space’ into meaningful ‘place’. These works examine the degrees of intimacy, connection and interaction that mark the dividing line …

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1998 Spectacle of Noise

This program of four videotapes by Istvan KANTOR, aka Monty CANTSIN, aka PUPPET GOVERNMENT, aka AMEN!, features ‘the dated radicalism of Neoist scum’ (quote appropriated from Philip Monk). As the internationally acclaimed ‘bad boy’ of Canadian performance, Kantor’s extensive resume includes frequent performances throughout North America and Europe. His work focuses on the excesses of …

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1998 Pousse-Café

Istvan Kantor performing That’s How I Want to Be Remembered at DeLeon White Gallery

Pousse-Café. Translating literally from the French, you get ‘push-coffee’ — after dinner, post dessert, beyond the beyond. The term refers to a combination of liqueurs of different specific gravities, layered in a glass to produce a rainbow effect. Amazing to look at, but the real trip is drinking it… This heady folie hints at what …

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1998 International Performance Video Art

Logo: Pleasure Dome

Two Evenings of International Performance Video Art (3 programs) Presented by Pleasure Domein conjunction with the 2nd 7a*11d International Festival of Performance Art Performance to Camera: Recent British Video, Part IIThursday November 5 8 pmCineCycle, 129 Spadina AveCurated by Catherine ELWES The direct address to the viewer and the intimate space of the video image …

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1998 PO-PO Wasteland

Iona Georgescu performing PO-PO Into the Wasteland at Front St wasteland

The main intent here is to create an audience participatory event, where the viewer is involved in the work and the space so much so that they are no loner passive but become active participants in the event. To expand the scope of what is thought of as ‘performance art’ by exposing it to, and …

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1998 Hybrids

Terril-Lee Calder performing The Suckling at 87 Wade Ave

This program focuses on content-driven work that deals with contemporary social, political and ethical issues. We are well aware of the challenging and often loaded dialogue in art and criticism on issues such as neocolonialism, cultural appropriation, equality of representation, and unstable, pluralistic notions of identity. This is a confusing, dangerous terrain that has revealed …

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1998 Field Trips

men of the world (Mark Alice Durant & Mathew Wilson) performing at the fountain at University Ave & Queen St W

Field Trips offers works that poetically slip themselves into the cityscape to blur the conventional distinction between beholder and beheld, creator and created.  The clever beauty of these works is their ability to blend into the eye and mind of a public audience without forcing the viewers into the role of unwilling participants or antagonists …

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