2. Assembling a Toolkit vs. the Logic of the Archive
If we consider performance as ‘of’ disappearance, if we think of the ephemeral as that which ‘vanishes,’ and if we think of performance as the antithesis of preservation, do we limit ourselves to an understanding of performance predetermined by a cultural habituation to the patrilineal, West-identified (arguably white-cultural) logic of the archive?(Schneider, 65) Much has …
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