SHIBUKAWA Maron

Maron Shibukawa is a critic focusing on theatre and performance. He won the Grand Prize of the third term of Critique Rebirth School for “Genealogy of Chelfitsch(zu): On the New Flock.” He has written a series of review on performance and post-theatre culture in “A choice of the Last Month” of Theatrical Media Theater Saikyou-ron-ing (2022). His recent articles include “Post-Desire Humans and the Exposure of the Literal” (2024) and “Analyzing the ‘Atmosphere’ and ‘Structure of Participation’ in Post-Theatrical Culture” (2024). He participated in the performance art projects R5 Since then | From Now (2023), Inhabited Island – War and Body (2023), and R6: Releasing and Healing (2024).

渋革まろんは、演劇・パフォーマンスを中心に批評活動を展開。「チェルフィッチュ（ズ）の系譜学――新しい〈群れ〉について」で批評再生塾第三期最優秀賞を受賞。演劇系メディア演劇最強論-ingの〈先月の1本〉にてパフォーマンスとポスト劇場文化に関するレビューを連載(2022)。最近の論考に「〈ポスト欲望の人間〉とリテラルなものの露出」(2024)、「ポスト劇場文化の〈雰囲気〉と“参与の構造”を解析する」(2024)など。パフォーマンスアートプロジェクト「R5 遺構 I 以降 since then I from now」(2023)、「Inhabited island – War and Body」(2023)、「R6: Releasing and Healing　解放すること／癒すこと」(2024)参加。

Polymorphous Translation (Responding8 Maebashi review by Maron Shibukawa)