2008

Day 8: Thursday, October 30 (EW)

Essi Kausalainen performing Untitled (Toronto) at XPACE Cultural Centre

By Elaine Wong We return again to XPACE, and there is something new in the gallery window to replace Alejandra Herrera‘s installation. It is a blue ceramic bowl and a pair of brown leather shoes, but they aren’t for use tonight, so I will have to wait to find out what they are for. When […]

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Day 8: Thursday, October 30 (AJP)

Gustavo Alvarez Lugo (Musgus) performing Chabochi (reflective action)

By Andrew James Paterson After enjoying a delightful tea with the performance artist Norbert Klassen, we trudged off to the subway entrance at Queen and University by the big shiny new opera house. I had hoped that Gustavo Alvarez was intending to perform one of his public actions in relation to the opera house, but

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Creative Resident Profile: Sylvette Babin—The Art of Sound, and the Sound of Art (EW)

Sylvette Babin performing untitled at XPACE Cultural Centre

By Elaine Wong In a previous statement about her art, Sylvette Babin described herself as un être hybride, a hybrid being without a fixed discipline. Eight years later, the idea of hybridity, of being able to combine and draw from different media, is still a positive facet of her art. She has created and choreographed

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Day 7: Wednesday, October 29 (AJP)

Granny Boots introduction at the Gladstone

By Andrew James Paterson I had been tipped off the Chihuahua-based performance artist Gustavo Alvarez (Musgus) had been planning a performance action starting at the bus stop by the Old City Hall at three o’clock. I get there early and nobody’s there. I think of checking out the City Hall Library and checking my email

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Day 6: Tuesday, October 28 (AJP)

Chaw Ei Thein performing Quiet River (in progress) at Toronto Free Gallery

By Andrew James Paterson Late in the afternoon, I found myself with idle time so I decided to check in on the Creative Residents working out of Toronto Free Gallery. Chaw Ei Thein’s mural—Quiet River—had been extended much further than what I had briefly glimpsed late last week. A row of Burmese monks at the

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Sakiko Yamaoka: Come with Me (EW)

Sakiko Yamaoka performing Best Place to Sleep (“Come with me” version)

By Elaine Wong This afternoon Sakiko Yamaoka led a small group of adventurers through the financial district of Toronto in search for the Best Place to Sleep, a piece whose name changes to Come with Me when performed with participants. Yamaoka led us through a series of banks where as a group, we lay down

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