WEBBER-HEFFERNAN, Shalon T.
Canada
Shalon T. Webber-Heffernan, carrying, screaming, holding ¿Absolute Territory? DAIS Ishinomaki, Japan 2026 PHOTO Daisuke Takeya
Shalon T. Webber-Heffernan is an independent curator, writer, and performance scholar working across performance, visual art, and public programming. Her practice engages live, relational, and somatic forms. Grounded in long-term research and a PhD in Theatre and Performance Studies, her curatorial work explores embodied encounter, site-responsive practice, and experimental forms of gathering. She has curated and developed projects with organizations including FADO Performance Art Centre, the Toronto Performance Art Collective (7a*11d festival), Vtape, Hemispheric Encounters, Blackwood Gallery, and Sensorium: Centre for Digital Art and Technology.
シャロン・T・ウェバー=ヘファーナンは、パフォーマンス、ビジュアルアート、パブリックプログラミングなど、幅広い分野で活動する独立キュレーター、ライター、パフォーマンス研究者。彼女の活動は、ライブパフォーマンス、関係性、身体性といった様々な形態を探求する。長年の研究と演劇・パフォーマンス研究の博士号に基づき、彼女のキュレーション活動は、身体的な出会い、サイトレスポンシブな実践、そして実験的な集合の形態を探求するものである。彼女は、FADOパフォーマンスアートセンター、トロント・パフォーマンス・アート・コレクティブ(7a*11dフェスティバル)、Vtape、Hemispheric Encounters、Blackwood Gallery、Sensorium: Centre for Digital Art and Technologyといった団体と共同でプロジェクトを企画・開発してきた。
Canada
Shalon T. Webber-Heffernan, What We Crave 7a*11d 2024 PHOTO Henry Chan
What We Crave
Tuesday October 8 7 pm
(By invitation only)
Presented with support from Hemispheric Encounters & Hart House, University of Toronto
What We Crave explores the magic of gathering. We celebrate coming together through experiments and rituals in embodied archival practices, emphasizing presence and sensory experience. Together and separately, Jess Dobkin, Laurel Green, Joyce LeeAnn, and Shalon T. Webber-Heffernan have been contemplating, dreaming and scheming around the conjuring powers of memory, desire, and transformation.
What possibilities exist at the intersection of gathering, archives, personal and collective histories, and our deepest cravings? What happens when we honour the complexities of our diverse experiences, including discomfort, joy, and vulnerability? How do archives perform, and what alchemy occurs when we connect across difference? How do our layers swirl and blend together?
Special thanks to Sasa Rajsic, Panni Ajtony and Van Gonzales (Hart House), Laura Levin, Tracy Tidgwell, and student volunteers Sammi Herlich and Michelle Chimeddorj.
Jess Dobkin (Canada/USA) has been an artist, curator, community activist, teacher and mentor for more than 30 years. Her practice extends across theatres and galleries, art fairs and subway stations, international festivals and museums, universities and public archives.
Laurel Green (Canada) is an artist, researcher, and interdisciplinary collaborator who creates invitations to participate and provocations for change. She is a nationally-recognized dramaturg and producer with over a decade of practice in the creation and development of new performance; from world premiere plays, to gameful experiences, digital projects, and community activations.
Joyce LeeAnn Joseph(USA) is an interdisciplinary artist, a certified archivist, and the founder of Archival Alchemy®, a small business that supports self-determined individuals and inquisitive visionaries to creatively revisit the past in order to map their way forward.
Shalon T. Webber-Heffernan(Canada) is a writer, artist, curator, and performance art scholar. She is a member of the Toronto Performance Art Collective. Her writing has been published in Canadian Theatre Review, Performance Research, Comparative Media Arts Journal, C Magazine, and other publications.
ess Dobkin, Laurel Green, Joyce LeeAnn Joseph and Shalon T. Webber-Heffernan What We Crave 7a*11d 2024 VIDEO Peppercorn Imagine © Jess Dobkin, Laurel Green, Joyce LeeAnn Joseph and Shalon T. Webber-Heffernan



