Festival fans may be interested in article by Ben Portis recently published by The Dance Current that mentions several performances from the 2014 edition of the 7a*11d International Festival of Performance Art. Read “Dance and Objecthood”.
From the article: “A biennial exposition of the legacies and politics of performance, the festival gathers legends and upstarts, sages and jesters, masters and mavericks. Night after night, the performances were packed. A frequent motif was the irreverent or iconoclastic retrospective critique of the personal, reframing the inherited legacies of prior generations.”