2000 3rd 7a*11d Festival
=Videodrome= Body + Blood/Picture + Sound
Saturday November 4 10 pm
Art System, 327 Spadina Ave, 2nd floor
= Videodrome = Body + Blood / Picture + Sound was the latest installment of Jubal Brown’s ongoing campaign to bring together performance art and underground dance/rave culture. Promising “experience as spectacle,” Brown’s interest is to combine the best of both worlds, providing the sensual, experiential environment and engaging atmosphere of a late-night dance party, but adding the content and unpredictability of performance art. Videodrome‘s thesis was to contrast live and mediated expression, presenting works that could be experienced ‘in the flesh’ in one room, or viewed as projected spectacle in another. For this event, a series of DJs played trance and electronic dance mixes in a party environment of multiple video projections, with live performances presented on the hour in a second room and projected onto the walls of the dance area. The performances ranged from gory tableaux of bodies in distress to the destruction of furniture and a late-night fire demonstration.
Jubal Brown is a contemporary artist working in performance, sound and video, performance installation, social sculpture and invisible performance. His performance work is motivated by themes of refusal, playful disobedience, and the transgressive unification of experience, taking place in diverse public locations such as the Pickering Nuclear Power Plant, subways, streets, MoMA, the AGO and various unused industrial sites. Jubal is a founding member of the experimental noise performance group O HUGE VAULT OF VASELINE, who have performed live at YYZ, CIUT 89.5, CKLN 88.1, The Ontario College of Art and Design, and the Savage Garden. Using altered vinyl, homebrew instruments, archaic and contemporary tech, they produce a hybrid mutation of new wave leisure muzak and hard experimental techno. As an organizer/curator he has held performance and music events at YYZ, Nora Vaughan Studio, Hungarian Castle, Symptom Hall and various other Toronto venues.
1998 2nd 7a*11d Festival
PO-PO Samhain in Wasteland
Friday October 30 11 pm
abattoir building Wasteland (corner of Niagara St & Wellington St W)
The main intent here is to create an audience participatory event, where the viewer is involved in the work and the space so much so that they are no loner passive but become active participants in the event. To expand the scope of what is thought of as ‘performance art’ by exposing it to, and to it, another audience, a younger, uninitiated audience, more of a ‘general public’. In a temporary unification of disparate communities, the art community and the electronic dance or ‘rave’ world, both will benefit from some new blood, and cross fertilization of energies. To make art fun and exciting and to somehow bridge the gap between art and life and pop and high culture.
These events are similar in theme and practical application to a series of performance events held in Toronto over the winter of 1997-98, organized by Jubal Brown and Stephen Rife. Entitled the Wasteland Series (I, II & III), large, abandoned industrial spaces were used for site-specific performances and installations by roughly 10 artists each time.